![]() It seems that a young woman answered an advertisement for a governess. ![]() The Prologue explains that the story is based on a manuscript written long ago in faded ink…a woman’s hand. Some productions have since been known to divide the two roles, so that the meeting can be mimed by the Governess and the uncle figure, which may perhaps add to the drama. Originally, the Prologue was sung by the tenor who later sang Quint. ![]() Orchestral interludes also cover the many scene changes, and are composed in the form of variations which turn the screw and tighten the tension. A variety of percussion as well as piano and celesta provide creepily atmospheric effects. This is augmented by the composer’s wonderfully imaginative use of a chamber orchestra of thirteen players. However sometimes it seems even more ambiguous, so that sometimes the whole thing could be a figment of the Governess’s imagination, perhaps arising from her obsession with her employer. On another level it is a psychological thriller. As the years pass and different interpretations are given which have their own validity, it appears that the opera becomes more complex and more rewarding. ![]() The Turn of the Screw was an immediate success and has become accepted as a masterpiece and one of Britten’s greatest works. Scottish Opera première: Aberdeen (His Majesty’s Theatre), 26 March 1970. 1977 - Scottish Opera Lodz 1977 - Scottish Opera Warsawīenjamin Britten (born Lowestoft, 22 November 1913 died Aldeburgh, 4 December 1976)įirst performance: Venice (Teatro La Fenice), 14 September 1954.įirst UK performance: London (Sadler’s Wells Theatre), 6 October 1954.įirst performance in Scotland: Edinburgh (King’s Theatre), 3 September 1962. ![]()
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